SVETLANA ZAKHAROVA
Svetlana Zakharova – “Inner”
Svetlana Zakharova as Odette
© Mark Olich
But the most tremendous success was brought to her by the role of Giselle in the ballet of the same name. Both the audiences and the ballet critics were full with excitement about Zakharova’s performance and demonstrated incredible interest in her. Shortly after the premiere Zakharova received an offer from Vladimir Vasiliev to join the company of the Bolshoi Theater in Moscow.
Svetlana Zakharova in the Bolshoi Ballet’s “Giselle”.
Svetlana Zakharova – “Inner”
Having received her official ‘prima’ status at the age of 18, Svetlana continued her work for the Mariinsky Theater expanding her repertoire with classical and modern pieces: “The Sleeping Beauty”, “Swan Lake”, “Bayadère”, “Don Quixote”, – as well as premieres by George Balanchine. Zakharova successfully performed the pas des deux by Tchaikovsky and starred in “Apollo”, “Serenade”, “The Symphony in C” and “Diamonds in Jewels”. Zakharova also met with the great choreographer John Neumeier. In his ballet “Now and then” the young ballet dancer was presented as an ultra-modern artist, capable of mastering styles and genres of dance beyond the art of classical ballet.
Svetlana Zakharova
Photography: Gene Schiavone
At the same time she starts to receive international recognition. Her global fame is rapidly growing. In 2001, she signed her first contract with L’Opera de Paris for “Bayadère”. It was the first time in thirty years when a ballet dancer from Russia had a chance to perform on French capital’s famous stage.
Svetlana Zakharova – “Inner”
Zakharova is on tour to every part of the world: New York Metropolitan Opera, London Covent Garden, The Teatro Colón in Buenos Aires, Bayerische Staatsoper in Munich, Teatro di san Carlo in Napoli, Vienna Opera, National Theater in Tokyo, stages in many cities of Europe, Asia, Australia and South America. La Scala signs a long-term contract with her and awards her with the status of étoile. It was the first time in the history of this great theater, no Russian ballet dancer had been awarded this honor before. She also takes part in DVD-recordings of “Swan Lake”, “Bayadère” and “Giselle”.
Svetlana Zakharova in Bolshoi’s Swan Lake in Japan
Photo by Dmitri Dorokhov
Svetlana Zakharova as Odette
In 2003 Svetlana Zakharova decided to join the ballet company of the Bolshoi Theater. Famous ballet dancer People’s Artist of Russia Ludmila Semeniaka has become her tutor. Zakharova’s first work in the Bolshoi was the ballet-premiere “La Fille du Pharaon” by the famous choreographer Pierre Lacotte. A recording of this ballet was issued on DVD. Gradually Zakharova was introduced into every piece of the Bolshoi’s classical repertoire, into the ballets by one of the greatest choreographers of our time, Yuri Grigorovich.
Svetlana Zakharova – “Inner”
Svetlana Zakharova in rehearsal for “Progetto Händel” choreography by Mauro Bigonzetti, music by Georg Friedrich Händel
World premiere on May 20 at Teatro alla Scala
Photos © Marco Brescia and Rudy Amisano
Svetlana Zakharova – “Inner”
Svetlana Zakharova
Photography: Gene Schiavone
Svetlana Zakharova – “Inner”
Svetlana Zakharova and Roberto Bolle, rehearsal for “Progetto Händel” choreography by Mauro Bigonzetti, music by Georg Friedrich Händel
World premiere on May 20 at Teatro alla Scala
Photos © Marco Brescia and Rudy Amisano
Svetlana Zakharova – “Inner”
Svetlana Zakharova
Photography: Gene Schiavone
Svetlana Zakharova – “Inner”
Svetlana Zakharova in rehearsal for “Progetto Händel” choreography by Mauro Bigonzetti, music by Georg Friedrich Händel
World premiere on May 20 at Teatro alla Scala
Photos © Marco Brescia and Rudy Amisano
Svetlana Zakharova – “Inner”
Svetlana Zakharova and Edvin Revazov in Bolshoi’s La Dame Aux Camelias
Svetlana Zakharova – “Inner”
The film follows the Bolshoi Theatre prima ballerina Svetlana Zakharova.
It’s a monostory of an internationally renowned ballet dancer at the height of her career and universal adoration.
We listen to her self-talk, invading her dream and discovering her inner turmoils, which submerges us into the ballerina’s personal world.
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