Ballet Beautiful

ZSAZSA

Anaïs Chalendard (Boston Ballet)

Dancers of the Royal Ballet in rehearsal for Aletta Collins’ Blue Moon
ph. Alice Pennefather

Darci Kistler and Damian Woetzel in costume for The Nutcracker (NYCB, 1992)

Margot Fonteyn and Robert Helpmann in The Sleeping Beauty while on tour in America (Sadler’s Wells Ballet, 1950)

Mayara Magri

Royal Ballet in rehearsal for Aletta Collins’ Blue Moon

ph. Alice Pennefather

Darci Kistler and Damian Woetzel in costume for The Nutcracker (NYCB, 1992)

Maya Plisetskaya (Bolshoi Ballet, 1963)

Darci Kistler and Damian Woetzel in costume for The Nutcracker (NYCB, 1992)

Marianela Núñez rehearsing Don Quixote (Royal Ballet)

Dancers of the Royal Ballet in rehearsal for Aletta Collins’ Blue Moon
ph. Alice Pennefather

Darci Kistler and Damian Woetzel in costume for The Nutcracker (NYCB, 1992)

Natalie Barbis (Teatrul de Balet Sibiu, Romania)
Photographer Dean Barucija

Beatriz Stix-Brunell

Royal Ballet in rehearsal for Aletta Collins’ Blue Moon

ph. Alice Pennefather

Darci Kistler and Damian Woetzel in costume for The Nutcracker (NYCB, 1992)

Nina Zmievets in Anna Karenina. Boris Eifman Ballet. © Mark Olich.
In the first of many duets, Oleg Markov swings Zmievets from side to side, holds her dramatically aloft and launches her into splashy split jetés, to which she responds with wild eyes, outreaching arms and violent stomach contractions.
 Technically it’s impressive, in a manic kind of way; Zmievets and Markov are evidently superbly trained dancers.

Darci Kistler and Damian Woetzel in costume for The Nutcracker (NYCB, 1992)

Fumi Kaneko

Royal Ballet in rehearsal for Aletta Collins’ Blue Moon

ph. Alice Pennefather

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